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Glass Houses - Elegant and Durable Glass Home Decor for Modern Living | Perfect for Indoor & Outdoor Decor, Wedding Gifts, and Home Styling
Glass Houses - Elegant and Durable Glass Home Decor for Modern Living | Perfect for Indoor & Outdoor Decor, Wedding Gifts, and Home Styling
Glass Houses - Elegant and Durable Glass Home Decor for Modern Living | Perfect for Indoor & Outdoor Decor, Wedding Gifts, and Home Styling
Glass Houses - Elegant and Durable Glass Home Decor for Modern Living | Perfect for Indoor & Outdoor Decor, Wedding Gifts, and Home Styling
Glass Houses - Elegant and Durable Glass Home Decor for Modern Living | Perfect for Indoor & Outdoor Decor, Wedding Gifts, and Home Styling
Glass Houses - Elegant and Durable Glass Home Decor for Modern Living | Perfect for Indoor & Outdoor Decor, Wedding Gifts, and Home Styling
Glass Houses - Elegant and Durable Glass Home Decor for Modern Living | Perfect for Indoor & Outdoor Decor, Wedding Gifts, and Home Styling

Glass Houses - Elegant and Durable Glass Home Decor for Modern Living | Perfect for Indoor & Outdoor Decor, Wedding Gifts, and Home Styling

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Description

addition to firing shots at detractors, Joel further solidifies his reputation as a pop maestro on the hit “Don’t Ask Me Why” and mellow classic “C’etait Toi (You Were the One),” each replete with sparkling structures and shimmering melodies. Throughout, he dials down the grand gestures, focusing more on an attitude and directness. At the time, Joel was conscious of the punk movement, and seems inspired to follow that genre’s preference for simplicity, frankness, and irritability. The album’s legendary artwork—the singer preparing to toss a brick through the windows of his house—is a metaphor for Joel shattering his image as a cocktail-lounge pop crooner. Such changes are evident in the now-signature “You May Be Right,” a hard-rocking and scathing rebuttal to a romantic partner on which Joel embraces the identity of a tough-skinned madman that won’t stop at anything. He inhabits the role with convincing theatrics, his voice mixing pushiness, smugness, self-evident humor, and cool that fits the resistive tone of the record’s songs. Glass Houses is Joel’s megaphone for stubborn independence, dogged assertiveness, and blustery confidence. It’s also an announcement of artistic intent, a statement that’s simultaneously catchy and barbed, well-crafted and rowdy. And it succeeds on all levels, bringing to commercial pop-rock a brashness and grit often absent from fare that sticks in your head for days. Joel would never be seen the same way again.